Robert Rodriguez Net Worth is
$6 Million

Mini Biography

Robert Anthony Rodriguez was created and raised in San Antonio, Tx, USA, to Rebecca (Villegas), a nurse, and Cecilio G. Rodríguez, a salesman. His family members is usually of Mexican descent. Of all visitors to be amazed from the images of John Carpenter’s 1981 sci-fi parable, Get away from NY (1981), non-e were as captivated as the 12-year-old Rodriguez, who sat along with his friends inside a crowded movie theater. Many people view movies and arrogantly proclaim “I could do this.” This son said different things: “I’LL do this. I’m gonna make films.” The son in question is certainly Robert Rodriguez which time was the catalyst of his wish career. Delivered and elevated in Tx, Robert was the center child of a family group that would consist of 10 kids. While many-a-child would conveniently succumb to a Jan Brady-sense to be dropped in the shuffle, Robert often stood out as an extremely creative and incredibly active son. An artist naturally, he was extremely rarely noticed sans pencil-in-hand doodling some abstract (however incredible) dramatic feature on a bit of paper. His mom, not a lover from the “dreary” movie theater from the 1970s, instills a feeling of movie theater in her kids by firmly taking them on every week journeys to San Antonio’s famed Olmos Theater movie home and treats these to a healthy dosage of Hollywood’s “Golden Age group” miracles, from Sergio Leone towards the silent traditional of Charles Chaplin and Buster Keaton. In a brief timeframe, young Robert sees the family’s old Super-8 film camera and makes his 1st films. The styles are unlimited: actions, sci-fi, horror, theatre, stop-motion computer animation. He uses props from throughout the house, configurations from around city, and employs the largest solid and team at his removal: his family members. By the end of the 10 years, his dad, a salesman, brings house the most recent home-made technological question: a VCR, and with it (as something special from the maker) a video surveillance camera. With this brand-new apparatus at his removal, he makes films his life time. He screens the films for friends, most of whom frantically want to superstar within the next one. He increases a popularity in the neighbourhood as “a child who makes films”. Instead of handing in term documents, he is permitted to submit “term films” because, as he himself points out, “[the instructors] understood I’d put even more effort right into a film than I ever would into an article.” He begins his personal comic remove, “Los Hooligans”. His films win every regional film competition and event. When low educational marks threaten to maintain him out of UT Austin’s renowned film division, he shows his worth the only path he understands how: he makes a film. Three, actually: trilogy of brief movies known as “Austin Tales” starring his siblings. It beats the entries from the school’s best students and enables Robert to get into the program. After being recognized in to the film section, Robert will take $400 of his very own money to create his “biggest” film however: a 16mm brief comedy/fantasy known as Bedhead (1991). Pouring every idea and camera key he knew in to the brief, it continued to earn multiple honours. After conference and marrying fellow Austin citizen Elizabeth Avellan, Robert arises using a crazy idea: he’ll sell his body to research to be able to fund his initial feature-length picture (a Mexican actions experience in regards to a guitarist without name searching for function but getting swept up within a shoot-’em-up experience) that he’ll sell towards the Spanish video marketplace and make use of as an entry way to a profitable Hollywood career. Along with his “guinea pig” cash he raises only $7,000 and creates Un Mariachi (1992). But instead than lingering in obscurity, the film discovers its way towards the Sundance film event where it turns into an instant preferred, is victorious Robert a distribution cope with Columbia photos and becomes him into an icon among would-be film-makers around the world. Not just one to rest on his laurels, he instantly helms the straight-to-cable film Roadracers (1994) and contributes a section towards the anthology humor Four Areas (1995) (his would be the most lauded section). His first “genuine” studio room work would soon have people discussing him as “John Woo from south-of-the-border”. It’s the “Mariachi” remake/sequel Desperado (1995). Even more luxurious and action-packed than its forerunner, the movie–while not really a blockbuster hit–does good business and single-handedly launches the American film professions of Antonio Banderas as the guitarist-turned-gunslinger and Salma Hayek as his like interest (both would star in a number of of his films after that). In addition, it furthers the director’s trustworthiness of focusing on low costs to make big outcomes. In the entire year when films like Batman Forever (1995) and GoldenEye (1995) had been pushing costs at night $100 million tag, Rodriguez earned “Desperado” for under $7 million. The film also highlighted a cameo by fellow indie film wunderkind, Quentin Tarantino. It might be the start of a long camaraderie between your two sprinkled with several collaborations. Perhaps most obviously the Tarantino-penned vampire schlock-fest From Dusk Right up until Dawn (1996). The kitschy flick (in regards to a pair of legal brothers away from home from the Tx Rangers, and then find themselves inside a vamp-infested Mexican pub) became an instantaneous cult preferred and released the profitable film profession of ER (1994) celebrity George Clooney. After a two-year break from directing (mainly to spend along with his family, but also developing story ideas and declining Hollywood offers) he came back to “Dusk till Dawn” territory using the teen/sci-fi/horror movie The Faculty (1998), compiled by Scream (1996) writer, Kevin Williamson. Although it’s created a small pursuing of its, it will end up being Robert’s least-successful film. Critics and supporters alike took concern with the pedestrian script, the off-kilter casting as well as the flick’s blatant over-commercialization (because of a marketing cope with clothes developer Tommy Hilfiger). After another three-year break, Rodriguez came back to create his most effective (& most unforeseen) movie however, predicated on his personal section from Four Areas (1995). After a string of bloody, adult-oriented actions fare, nobody anticipated him to create and immediate the colourful and innovative Spy Children (2001), a film about a couple of prepubescent Latino sibs who find that their lame parents (Antonio Banderas and Carla Gugino) are in fact two from the world’s greatest key providers. The film was strike among both viewers and critics as well. After quitting the Authors’ Guild of America and being introduced to digital filmmaking by George Lucas, Robert instantly applied the creative, flexible (and cost-effective) technology to each one of his movies after that, starting with an instantaneous sequel to his family friendly hit: Spy Children 2: Isle of Shed Dreams (2002) that was THEN instantly accompanied by the trilogy-capper Spy Children 3-D: Video game Over (2003). The last mentioned would end up being one of the most financially-lucrative from the series and utilize the long-banished film gimmick of 3-D with eye-popping outcomes. Afterwards the same calendar year Rodriguez career emerged back to where it started when he finished the final entrance from the tale that produced brought him to prominence: “Un Mariachi”. The final chapter, A long time ago in Mexico (2003), will be his most immediate homage towards the Sergio Leone westerns he was raised on. Using a cast boasting Antonio Banderas (coming back as the gunslinging guitarist), Johnny Depp (like a corrupt CIA agent wanting to change him), Salma Hayek, Mickey Rourke, Willem Dafoe and Eva Mendes, the film shipped even more from the Mexican shoot-’em-up spectacle than both of the prior films combined. Now provided his selection of movies to accomplish next, Robert searched for famed comic publication article writer/artist Frank Miller, a guy who was simply extremely vocal of under no circumstances letting his functions be adapted for the display. However, he was wholeheartedly persuaded and elated when Rodriguez shown him with an idea to carefully turn Miller’s personal work in to the film LAS VEGAS (2005). A assortment of noir-ish stories occur a imaginary, crime-ridden slum, the film boasted the biggest cast Rodriguez acquired worked with compared to that time. Stating he didn’t wish to simple “adapt” Miller’s comics but “translate” them, Rodriguez’ insistence that Miller co-direct the film result in Robert’s resignation in the Director’s Guild of America (and his following dismissal through the film John Carter (2012) because of this). Many critics cited that LAS VEGAS (2005) was made as a natural film noir piece to adapt Miller’s comics onto the display screen. Co-directing with Frank Miller and ‘Quentin Tarantino’ (who guest-directed for the reason that Yellowish Bastard) allowed Rodriquez to once again shock Hollywood along with his talent. In later 2007, Rodriquez again teamed up along with his friend Tarantino to generate the double-episode film, The Grindhouse featuring Rodriquez’s offering of Globe Terror (2007). Globe Terror (2007) was a film shot in the precise genre of “hardcore, severe, sex-fueled, action loaded.” Rodriguez flirts along with his interest to produce a showy film exploiting most of his knowledge to make an exceptionally entertaining thrill trip. The film is usually encompassed around Cherry (Rose McGowan), a hesitant go-go dancer who’s found seeking when she matches her ex-lover Un Wray (performed by Freddy Rodríguez) who arises at an area BBQ grill. Then they, after a change of events, end up fending away brain-eating zombies whilst wanting to flee to Mexico (right here we set off to Mexico once again). Aside from directing, Rodriquez also entails himself in camcorder function, editing and composing music for his films sound paths (he composed the earth Terror (2007) primary theme). He also shoots a whole lot of his very own action scenes to obtain a immediate idea from his eyesight as the movie director in to the film. In Un Mariachi (1992), Rodriquez spent hours before a pay-to-use, pc editing and enhancing his film. This allowed him to fully capture the ideal video footage just as he needed it. From the filming facet of Hollywood, Rodriguez can be an professional chef who cooks premium foods for the solid and team. Rodriquez can be known for his capability to change a low-budgeted film with a little crew into a good example of film mastery. Un Mariachi (1992) was “the film produced on seven grand” but still were able to rank as you of Rodriguez’ greatest films (finding a ranking of 92% around the Rotten Tomatoes film evaluate site). Because Rodriquez is involved thus deeply in his movies, the guy can catch what he wants first-time, which helps you to save both money and time. Rodriguez’s films talk about some identical threads and concepts, whilst also having distinctions. In Un Mariachi (1992), he runs on the hand-held camcorder. He produced this decision for many reasons. Initial, he couldn’t afford a tripod and secondly, he wished to make the viewers more alert to the actions. In the actions sequences he’s given more flexibility using a hand-held camcorder and also permits distortion from the unprofessional actions sequences (as the cost of most special results in the film totaled $600). Nevertheless, in LAS VEGAS (2005) and Globe Terror (2007), the spending budget was much better, and Rodriquez could afford to invest more on particular affects (specifically since both movies had been filmed predominately with green display screen) and, hence, there was you don’t need to cover for mistake. Playing by his have rules or never, Robert Rodriguez provides redefined what’s and isn’t for the film-maker to accomplish. Shunning Hollywood’s ridiculously-high finances, multi-picture offers and both most effective unions with regard to maintaining creative independence are decisions that could (and also have) price many directors their professions. Rodriguez has flipped these into his advantages, creating a few of the most imaginative functions the big-screen offers ever seen.

Known for movies



Quick Facts

Full NameRobert Rodriguez
Net Wortharound $38 million
Date Of BirthJune 20, 1968
Height1.87 m
ProfessionScreenwriter, Film Score Composer, Production Designer, Film producer, Voice Actor, Film director, Film Editor, Cinematographer, Television Director
EducationUniversity of Texas at Austin, St. Anthony Catholic High School
SpouseElizabeth Avellán
ChildrenRebel Rodriguez, Racer Rodríguez, Rocket Valentin Rodriguez, Rhiannon Elizabeth Rodriguez, Rogue Rodriguez
ParentsRebecca Rodríguez, Cecilio G. Rodríguez
SiblingsPatricia Vonne, Rebecca Rodriguez, Marcel Rodriguez, Tina Rodriguez, Angela Lanza, David Rodriguez, Elizabeth Rodriguez
Facebookhttp://www.facebook.com/robertrodriguezofficial
Twitterhttp://www.twitter.com/rodriguez
Instagramhttp://www.instagram.com/rodriguez
AwardsPalme d'Or, Golden Bear, ALMA Award for Industry Excellence, Independent Spirit Award for Best First Feature, Satellite Award for Best Original Song, ALMA Award for Outstanding Director of a Feature Film
Music GroupsChingon
NominationsIndependent Spirit Award for Best Director, Satellite Award for Best Editing, Satellite Award for Best Original Score, Satellite Award for Best Sound, Satellite Award for Best Cinematography, Satellite Award for Best Visual Effects, ALMA Award for Outstanding Latino Director of a Feature Film, ALMA Award for Outstanding Screenplay (Original or Adapted)
MoviesFrom Dusk till Dawn, Desperado, Grindhouse, El Mariachi, Planet Terror, Sin City: A Dame to Kill For, Once Upon a Time in Mexico, Machete, Machete Kills, Sin City, The Faculty, The Adventures of Sharkboy and Lavagirl in 3-D, Spy Kids 2: The Island of Lost Dreams, Spy Kids 3-D: Game Over, Four Rooms, Spy Kids, 100 Years, Death Proof, Alita: Battle Angel, Spy Kids: All the Time in the World, Predators, Roadracers, Bedhead, Shorts: The Adventures of the Wishing Rock, From Dusk Till Dawn 2: Texas Blood Money, From Dusk Till Dawn 3: The Hangman's Daughter, Full Tilt Boogie, The Black Mamba, High Hopes, Side By Side, Red Sonja, Machete Double Feature, Madman
TV ShowsFrom Dusk till Dawn: The Series

Source
IMDB Wikipedia

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