Patrick Dillon Net Worth is
$3 Million

Mini Biography

Patrick Dillon is a given birth to and bred New Yorker who makes films, writes books, and builds huge and little format collage from the individual detritus he sees strewn over the roads of Harlem, where he lives, and where he offers, for days gone by 15 years, taught newborn drug-addicted infants how exactly to suckle. A fight medic through the Vietnam Battle, Dillon was once a cloistered Catholic monk-in-training, a Tranquility Corps volunteer in Thailand following the war, dealing with Vietnamese refugees, and was also deeply included, after he emerged home, using the invention from the initial generation of computers and interactive software program. He has generated and operate refugee camps in Somalia (1992-93), using the Irish humanitarian help group Concern Worldwide), provides smuggled film and video apparatus into Cuba in violation from the U.S. trade embargo, and provides infiltrated and discussed local, militia-style terrorist institutions. A tuned carpenter, set constructor, stunt guy and demolition rigger for films, Dillon can be a furniture developer and building restorer. Dillon can be an Irish resident (his folks are originally in the Dingle Peninsula) that has resided and done several continents. He’s currently completing two movies he shot and aimed, Battle Film, about Iraqi road kids who endured the bombing of Baghdad, where he – plus they – had been trapped through the infamous ‘Surprise and Awe’ aerial assaults of 2003, and SYNTHETIC Mayhem, about the U.S. Military Corps of Technical engineers’ bombing of the low Ninth Ward levees in New Orleans, where he spent seven weeks in search, save, and re-building in the aftermath from the Katrina-Rita hurricanes in 2005-06. Dillon can be developing documentary tasks about Michael Jackson, Sean “Diddy” Combs, eugenics as well as the lie from the Helps epidemic, garbage, the cultural cleaning of Harlem, as well as the real ‘grassy knoll’ shooter of Chief executive John F. Kennedy – a U.S. government-trained assassin (Laos, 1959) and Chicago mob strike man employed by rogue CIA dark ops bureaucrat David Atlee Phillips, and whose videotaped jailhouse confession Dillon can be using as the foundation for his film, Getting rid of The Kennedys. Dillon’s first screenplay, Somewhere in the town (1998), a humor about loneliness, was produced and directed, to glowing evaluations in 1998, by Iranian auteur Ramin Niami, and starred China’s Bai Ling, Peter Stormere, and American comedienne Sandra Bernard. Dillon’s additional unique screenplays range in subject material from Agent Orange, to law enforcement corruption, towards the Irish Potato famine, to Bobby Sands as well as the IRA food cravings strikers, to ecological crises, to serial killers. His books consist of Ulysses In Tenseltown – about Hollywood and battle, propaganda and creative freedom, as well as the Terror – occur America soon where an Orwellian law enforcement state has obtained power – and centered on an extremely harmful homegrown guerrilla operative and his and his youthful comrades’ try to overthrow the federal government. His latest nonfiction composing (Fall, 2005) made an appearance in the anthology A LATER DATE In Heaven, co-written with additional humanitarian aid employees, about his 10 year-old bodyguard – a son called Muhammed Ali

• who passed away through the Somali famine of 1992-93. The publication has been

translated into several dialects, and is offered by bookstores, edited by Carol Bergman and released by Orbis/Maryknoll Press.

Known for movies