Gösta Cederlund Net Worth is
$12 Million

Mini Biography

Among Sweden’s most popular and appreciated man character stars in Swedish movies in the 1930s-50s, highly appreciated for his naturalness seeing that an professional (uncommon of his 1880s theater era) that he always presented on display screen and his warm humor play. Along with his 130-plus film assignments in his lifestyle he’s also still the record holder of all assignments for an individual male professional on film in Sweden. Blessed in Stockholm, the kid of the painter/carpenter, Gösta Cederlund produced his professional stage debut at Svenska teatern (Swedish Theater; Sweden’s nationwide stage 1875-1925) in 1907. He initial considered the silent display screen where he surely got to enjoy arrogant farm employees and fighting college children in silent movies at early age, initial appearing on display screen in Gal from Stormy Croft (1917) in 1917. Down the road film through the talkies period, in 1930s-50s, he generally surely got to play the nice old uncles; amazingly frequently he portrayed middle-aged paper editors or doctors. Continuously he wonderful and family protected characters of the center class. But you can find exceptions: his ice-cool and frightening efficiency as the cynical banker in movie director Hasse Ekman’s masterpiece Female with Hyacinths (1950) (Female with Hyacinths, 1950) and his tormented outdated professional in Nattens ljus (1957) (1957). Both excellent performances. Among his most valued film roles we discover his Teacher Hagstam in motion pictures Vi två (1939) (1939) and Vi tre (1940) (1940), the stern Detective Inspector Lilja in the criminal offense dilemma Ett brott (1940) (A Criminal offense, 1940), Markel in dilemma Doktor Glas (1942) (1942; predicated on the achievement book of Hjalmar Söderberg), navy captain Göwent Bergsten in humor Blåjackor (1945) (Sailors, 1945), his doctor Hellsten in dilemma Var sin väg (1948) (Each to His Own Method, 1948), Margaretha’s daddy in humor Skolka skolan (1949) (1948; Sickan Carlsson-film), his restricted lord using the monocle in early Swedish musical Greven från gränden (1949) (1949) and, naturally, his tossy but heart-warm college instructor “Pippi” in Torment (1944) (Frenzy/Torment, 1944), directed by Alf Sjöberg; internationally referred to as Ingmar Bergman’s film script debut. The key-scene in the map-room where his instructor confronts the school’s great antagonist Caligula – the sadistic instructor in Latin – about his teaching strategies is among strongest & most nerving moments from the film (and regarded as one of the better classic moments all-time in Sweden). In the 1950s and 60s Gösta Cederlund was notably area of the Swedish Television Theatre ensemble (TV-teatern) where he acted in a number of classic performs. When Alf Sjöberg staged “Hamlet” for tv in 1955 he offered a particularly solid and coming in contact with portrayal of Polonius; Ophelia’s dad. Besides performing, Gösta Cederlund was also employed while film movie director for SF (Swedish Film Industry) the entire year 1943 where he among other movies directed the controversial Kungsgatan (1943), predicated on a publication from the Swedish working-class article writer Ivar Lo-Johansson, a film coping with the main topic of prostitution and sexually transmitted illnesses in the towns. It was accompanied by a stunning national issue and was also prohibited from many cinemas (today, film-historically in Sweden, it’s regarded as perhaps one of the most essential and bravest Swedish movies manufactured in the 1940s). Cederlund was a also effectively Managing Movie director of many theatre’s during his lifestyle like the Swedish Theater in Helsinki (Finland) 1923-25, the Lorensberg Theater in Gotheburg 1926 as well as the Helsingborg theater/city theater 1926-30 (upon this post a forerunner to Ingmar Bergman who afterwards came to business lead the theater in the 1940s). The last many years of his life he worked at the brand new established modern Stockholm Town Theatre (Stockholms stadsteater), appearing in key roles in a number of challenging stage plays through the entire past due 1960s and in the 1970s, by the brand new dramatic writers of the decades, a.o. takes on by Bertoldt Brecht and Samuel Beckett. He produced his last film part as the aged caretaker in Monismanien 1995 (1975) 1975, at age group 87. He passed on in 1980.

Known for movies