Kristine Miller Net Worth is
$1 Million

Mini Biography

Kristine Miller was created Jacqueline Olivia Eskesen, the girl of Johannes Eskesen, vice-president of Regular Essential oil of Argentina, headquartered in Buenos Aires, where Miller was created. Miller’s mom, Myrtle Bennett Witham, was an Orpheum Circuit vocalist from Fresno, California. After ten years in Argentina, the family members shifted to Myrtle’s hometown of Fresno to get a year, after that to Copenhagen, Denmark in 1932. In 1938, prior to the start of the Second Globe War in European countries, they moved back again to Fresno, after that to San Francisco. Due to vacationing internationally as a kid, Miller speaks British, Spanish and Danish fluently, and includes a working understanding of Portuguese and German. Miller stated of her years as a child, “My mom was a specialist singer and I believe she was looking forward to me to go in to the entertainment field.” Nevertheless, after she performed a main function in her high school’s creation of George S. Kaufman “The American Method” (1939), her flavor for show-business begun to form. In a single edition of how she was uncovered by Hollywood, in 1944 the 18-year-old Miller noticed an opportunity whenever a Warner Brothers skill scout was to wait among her school’s shows. The scout under no circumstances showed up, therefore she delivered a notice and photograph towards the studio room, and garnered a display screen check at Warner, where she transformed her name to Kristine Miller. Though she failed the display screen check, she was observed by manufacturer Hal B. Wallis, who was simply then feuding using the studio room head, Jack port L. Warner. Under acrimonious situations, Wallis still left Warner Brothers for Paramount Images. Wallis brought with him Miller and another celebrity that also failed a display screen check at Warner, the 21-year-old Lizabeth Scott. At Paramount, Miller produced her debut, an uncredited little bit part, opposing fellow newcomer Scott in You ARRIVED (1945). Miller performed a showgirl and was billed as “Jacqueleen Eskeson.” The set would appear jointly in five movies, four of these made by Hal Wallis. In July 1946, it had been announced that Hal Wallis prepared to superstar Miller in the film edition from the Broadway play, “Beggars Are Arriving at City” (1945), a noirish tale of betrayal and vengeance. Wallis designed this to become Miller’s breakout function. In the wintertime of 1946, Miller made an appearance briefly in American noir, Desert Fury (1947). She performed the priggish Claire Lindquist, girl of the corrupt judge. Soon after Desert Fury, Wallis started focus on “Deadlock”, the initial task name for “Beggars Are Arriving at Town”. Once again Miller will be solid with “Desert Fury”‘s Burt Lancaster and Wendell Corey. After weeks of rehearsals for the Modjeska Canyon area, under the path of Byron Haskin, Miller abruptly became the next leading woman. Lizabeth Scott, ever competitive with all stars, grabbed the Kay part for herself. Miller later on recalled, “(Wallis) prepared to celebrity me in “I Walk Only”. He examined me with Burt; it had been a wonderful check. But Lizabeth Scott determined she needed the part, and Lizabeth got whatever she wanted-from Hal Wallis! [laughs] Therefore, I got the next part rather.” The 21-year-old Miller was recast as the slumming socialite divorcée, Alexis Richardson. Miller was scared that playing a “meanie” part might typecast her. In developing Miller’s closet, Edith Mind was impressed by Miller’s entire body, explaining it as “probably the most thrilling shape since Betty Grable.” The ensuing film was renamed I Walk Only (1948). Despite Miller’s concerns to be typecast like a femme fatale, film historians have a tendency to typecast her “as constantly playing the ‘great girl.'” In early Might, 1948, the 23-year-old Miller was loaned out once again, this time around to 20th Hundred years Fox for “Western of Tomorrow”-her first leading woman part. The screenplay was predicated on William Bowers’ perform from the same name. During WWII in New Guinea, a US Military Air Push squadron continues to be assigned to safeguard Australia and despite having inflicted weighty casualties on japan, they supernaturally got non-e themselves. Miller performed Jean Gillis, a Broadway celebrity and previous anti-war activist, who became a member of the USO after her husband’s loss of life at Dunkirk. By happenstance, she eventually ends up having to amuse the airmen by herself when she realizes the others of her troupe can be stranded. During an improvised “supper dance,” she learns about the pilots’ wives and girlfriends and their expectations for future years, but similarly learns about herself. Arthur Franz makes his film debut as Miller’s like interest. Another morning, all however the squadron innovator and Jean are wiped out after an assault for the airstrip. Just like Death Requires a Vacation (1934), the airmen reach the epiphany of their lives in the few hours they spend with Jean. The ensuing film premiered as Jungle Patrol (1948), the only real film that Miller got 1st-place billing. Despite Miller’s choice for Bowers’ unique name, the film can be her personal preferred. After creating herself like a “finding” of Hal Wallis, Miller quickly found herself left out. Within an interview with Mike Fitzgerald, she was quoted as stating, “Hal known as me the ‘Viking Young lady.’ He didn’t know very well what regarding me.” The problem was frustrated by the come back of veteran stars from abroad, either in standard or the USO. Compounded from the financial slump following the battle, rise of tv and the separation of the studio room system, Miller’s preliminary difficulties through the battle years will be multiplied many collapse. Miller’s prospects started to look just a little better when she fulfilled journalist and film maker Tag Hellinger, who experienced sure she could turn into a celebrity. But Hellinger passed away abruptly in 1947, and Miller quickly found herself earning money with the most common small tasks that she got always been provided. From the nine movies she’d make under agreement to Paramount, three had been loan-outs to additional studios, two which had been even more significant than her Paramount movies, apart from I Walk Only. Typical from the Paramount years, in Sorry, Incorrect Quantity (1948), she was solid as the wife from the looking into detective but was recast as the mistress from the doctor, shedding from 3rd to 13th put in place billing. Later that yr, she shifted to a far more significant part, again contrary Lizabeth Scott, in As well Later for Tears (1949). In her third and last loan-out-this time for you to United Artists-Miller performed Kathy Palmer, the sister-in-law of Jane Palmer (Scott), whom she suspects provides murdered her sibling. As she actually is romanced by Don DeFore, the set silently investigate the shady dealings of Jane. By the end of 1948, Miller produced a short appearance in the “weepie” Paid completely (1950). Within the last film she’d perform for Paramount, Miller was to try out Nancy Langley, younger modeling sister of Jane (Lizabeth Scott), a section shop illustrator, who enables her youthful sister to marry Costs Prentice (Robert Cummings), despite Jane’s like for him. A couple of years later, Jane comes with an debate with Nancy, who catches Jane and Costs having an affair. Distraught, Jane backs up her car and unintentionally kills her youthful niece. But much like ‘I Walk By itself’, Miller’s function was given to some other actress-Diana Lynn. Miller finished up playing a bridesmaid at Nancy’s wedding ceremony, falling from 3rd to 10th put in place billing. In Feb 1949, it had been announced that Miller’s connection with Paramount was fell because of the post-war slump in the film sector. That Dec, Miller’s relationship with television professional, William Schuyler, was announced. Undaunted by profession setbacks, Miller attempted her hands with smaller sized studios such as for example Monogram and Republic Images, though she’d still function for the casual big studio room. Miller also produced further incursions in the then-new moderate of tv, which she started before her agreement with Paramount was fell. Despite the needs of raising a family group, the 1950s will be Miller’s most prolific years, viewing her being a tv regular. Through the entire ’50s, she could screen a broader performing range than when under Paramount and Hal Wallis. Though Miller skipped out on getting Lizabeth Scott’s youthful sister in “Paid completely”, she performed a youthful sister in the noirish Darkness on the Wall structure (1950), which also included two sisters contending within the same guy. The old sister, performed by Ann Sothern, discovers that her youthful, married sister is normally having an affair with Sothern’s fiancé, that leads to murderous outcomes and brief screen-time for Miller. Though hardly ever departing the noir genre, Miller would start her popularity for Westerns with Youthful Daniel Boone (1950), but as the feminine lead. Later that calendar year she would go back to the Traditional western genre with Great Lonesome (1950). John Drew Barrymore is normally a misunderstood teen, Cooncat, who produces a rift between Miller’s rancher dad and her fiancé, who is convinced Cooncat murdered his parents. In nov 1951, Miller was ensemble as an Eastern Western european in the Cool Battle thriller, The Metal Fist (1952), contrary Roddy McDowall. Miller performed Marlina, a girl who hides students protester (McDowall) in the communists. In the springtime of 1952, Miller made an appearance in her second femme fatale function. In “The Iron Banner Tale,” an bout of Harmful Project (1952), an espionage series starring Brian Donlevy, she performed Lilli Terrescu, a female using a dark top secret in post-war Greece. Much like The Metal Fist, Miller utilized her accent abilities in two Harmful Assignment shows and afterwards in The Millionaire event, “The Anton Bohrman Tale.” Afterwards in the entire year, Miller was the next female business lead in her initial musical, Tropical High temperature Wave (1952). On July 27, 1953, Miller finally wedded William Schuyler in Santa Barbara. That Oct, it had been announced that the Schuylers had been expecting their initial baby. In 1954, Miller made an appearance as the next leading female in three movies. Air travel Nurse (1953), starring Joan Leslie, was a play about US Surroundings Force air travel nurses in the Korean Battle. Miller is normally a fellow official of Leslie, involved with an enchanting triangle with two pilots. Geraldine (1953) is normally a humor starring Mala Power. In the noir American Hell’s Outpost (1954), Miller once again costarred with Leslie. “Hell’s Outpost” would presented Miller to Jim Davis, who be the man business lead for the just tv series that Miller acquired a continuing function in. Throughout that calendar year, Miller produced two performances on the tv screen series The Lone Wolf (1954), starring Louis Hayward. In a single episode, Miller performed an adulterous wife similar to “The Shadow over the Wall structure”, but is normally shot with the cuckolded hubby rather. She also produced a visitor appearance as Mrs. Manning on Republic’s initial television series, Tales of the Hundred years (1954), starring Mary Castle and Miller’s older “Hell’s Outpost” costar, Jim Davis. In 1955, Miller came back to “Tales of the Hundred years” to celebrity in her most well-known role-Margaret “Jonesy” Jones. The series worried a set of railroad detectives coping with cases through the 1850s towards the 1st decade from the 20th hundred years, “wrapping them around previously shot movies and serials to save lots of cash.” Typically, the Jones personality would perform reconnaissance before Matt Clark (Jim Davis) appeared, misleading everyone into considering the two weren’t working jointly. Originally Miller was to superstar in the series, but was incapable because of her initial pregnancy. Because of this, Mary Castle, a Rita Hayworth lookalike, had taken her place for the initial 26 shows. Castle acquired portrayed Clark’s fellow detective Frankie Adams. After Castle give up or was terminated, Miller changed her, much towards the disappointment from the after that movie director, William Witney, who remaining after directing several shows with Miller. Regardless of the modification of leading woman as well as the alternative of Witney, “Tales of the Hundred years” with Miller continued to become the 1st Western to earn an Emmy Award in 1955. Regardless of the award and exceptional rankings, the series was terminated. Following the cancellation of Hundred years, Miller changed styles using the to begin four performances on Research Fiction Theater (1955). In “The Unusual Dr. Lorenz” (1955), she performed the wife of your physician, whose debilitating condition is normally cured with a miraculous royal jelly. However the jelly comes with an unforeseen side-effect. In “Procedure Flypaper” (1956) she and Vincent Cost are scientists looking to capture a thief who are able to suspend time. During this time period, Miller would make three Traditional western movies in succession: Thunder Over Az (1956), Domino Child (1957) as well as the Persuader (1957), a spiritual Traditional western starring William Talman. Miller would rejoin Jim Davis going back amount of time in an bout of M Squad (1957)-“THE SITUATION of the Twice Encounter” (Might 23, 1958), starring Lee Marvin. Miller is usually wedded to a mild-mannered, bespectacled Davis, who’s accused from the Chicago law enforcement to be a jewel thief. Miller’s last film part is at The Heart Is usually a Rebel (1958), a spiritual episode starring Ethel Waters. Miller’s last tv appearance was as Ruth Hudson in the 1961 event “Prince Jim” of NBC’s Stories of Wells Fargo (1957), starring Dale Robertson. From the styles and cross-genres spanning her film profession, Miller participated to make five traditional noirs, one noir-thriller, four Westerns, two noir Westerns, one spiritual Western, three armed forces dramas, two comedies, one comedy-drama, one cleaning soap opera, one spiritual dilemma and one musical. Seven of Miller’s functions had been walk-ons or erased from the ultimate film. Her tv work involved comparable styles. In contradistinction to becoming only a assisting actress as explained by most film historians, she was leading woman in six of 22 movies. Due to needs of family members and her husband’s business, Miller retired from performing. The Schuylers still left LA for the SAN FRANCISCO BAY AREA Bay Region in the first 1960s. Before the move, her hubby was establishing television channels throughout North California, such as for example Sacramento’s KSCH and KTVU in Oakland. As well as William they founded two tv channels in Monterey-KMST as well as the Spanish-language KSMS. The Schuylers ultimately settled around the Monterey peninsula in 1969, where William became chief executive from the Schuyler Broadcasting Company. The Schuylers afterwards resided in Idaho through the 1990s, where they began two television channels. They came back to Monterey in June 2001. Ever civic-minded since her Hollywood times, Kristine Miller provides lectured on her behalf knowledge in film and tv in Monterey aswell as taking part in local charitable actions.

Known for movies