Matilde Landeta Net Worth is
$2 Million

Mini Biography

Matilde Landeta was among the 1st female filmmakers in México, along with Adela Sequeyro. Both published the films they aimed, and both could just make several within a film industry highly managed by their male counterparts. Initially Matilde’s family against her aspirations, but her sibling Eduardo Landeta, an professional in early audio films, introduced her to movie director Fernando de Fuentes, who gave her the chance to be the script supervisor of his «Trend Trilogy» (made up of «Un prisionero 13», «Un compadre Mendoza» and «¡Vámonos con Pancho Villa!») Within this capability and later seeing that assistant movie director, she worked in 75 films, including two classics from the «golden age group» of Mexican movie theater, Emilio Fernández’s «Flor silvestre« and Julio Bracho’s «Distinto amanecer«; the humor «Un cocinero de mi mujer» by Cuban movie director Memoryón Peón, as well as the horror dilemma «La herencia de la Llorona», mostly of the films aimed by Mauricio Magdaleno, Fernández’s regular screenwriter. As she had zero support to become movie director, Landeta founded her own creation business called Tacma and made her display screen version Lola Casanova, a historical dilemma predicated on a book by Francisco Rojas González. But she got «disobeyed» the sector rules, therefore she was boycotted as well as the discharge was delayed to get a season. Although people’s response was great, the film was taken off the movie theater in five times. But she continued and modified another novel by González Rojas, «La negra Angustias», that lots of consider her very best film. A tale from the Mexican trend, it starred María Elena Marqués as Angustias, the youthful daughter of the generous bandit, who’s rejected for coping with a witch as well as for refusing men’s harassment. When she kills a charro who attempted to rape her, Angustias works aside, joins Zapata’s soldiers, turns into a colonel and, pursuing her father’s actions, battles for justice for girls and peasants. Landeta completed her trilogy of feminine melodramas in 1951 with «Trotacalles», starring the tragic Czech superstar Miroslava. She was provided employment supervising this content of international films becoming shot in México, and performing pants for American tv. In those years she and sibling Eduardo published the script for «Juvenile Courtroom», a theatre about street kids, which she offered to the Country wide Film Standard bank of México, beneath the contract that she’d direct it. However the accord was damaged from the market: the task was presented with to Alfonso Corona Blake as his 1st directorial task, the name was transformed to «Un camino de la vida», plus they attempted to remove the Landeta brothers’ titles from the composing credits. Matilde sued and received the situation, but she had not been allowed to function in the film market in México. The movie director continued employed in shorts for quite some time, however in 1975 film critic Jorge Ayala Blanco rediscovered «La negra Angustias» through the preparations of the retrospective of films directed by women to celebrate the International Women’s Yr. Ayala Blanco published the magazine content “Matilde Landeta, nosotros te amamos” (Matilde Landeta, we like you), which resulted in a revival from the filmmaker’s oeuvre. After years to be ousted of Mexican movie theater, she was initially the main topic of Marcela Fernández Violante’s documentary «Matilde Landeta, pionera del cine nacional»; and she aimed her last two movies: the documentary »Un rescate de todas las islas Revillagigedo», created and co-written by celebrity Elda Peralta, whom she acquired aimed in «La negra Angustias» and «Trotacalles»; as well as the romantic play «Nocturno a Rosario», starring Ofelia Medina. Matilde Landeta won the Ariel, the Mexican best film award, for Best Display screen Story for Un camino de la vida, and received the Life time Accomplishment Ariel in 1992. In 2005 the Asociación Cultural Matilde Landeta was made, and with Fernández Violante as its leader, the association provides an annual prize to the very best screenplay compiled by a woman.