Philippe Guez Net Worth is
$950,000

Mini Biography

Nurturing his budding passion young, Philippe Guez began a movie golf club in his classes, and later produced one in his hometown, in the suburbs of Paris. Evenings would observe him settle directly into view every genre of film from around the world. During holidays, he’d sneak onto film sets and even work as a supplementary, therefore he could find out what continued behind the video camera. In 1976, he came into a high film college, l’ E.S.E.C, paving his method through by assisting a business photographer, building professional casting photos and portfolios for aspiring stars and artists. Upon graduating in 1979, he found use various film businesses as an initial Assistant Movie director. His function included about fifteen feature movies, a number of tv dramas, music movies, and some high-end commercials. In 1985, he could apply his on-set knowledge and cost cutting down skills at Sara Movies, where he was appointed in-house producer/line producer by Alain Sarde and where he created and ran a fresh section focused on first-time directors. In the 90s, as an unbiased producer and founder of Septième Productions, Philippe Guez supervised “Rendez-Vous au Tas de Sable” by Didier Grousset, “Périgord Noir” by Nicolas Ribowski, “The Liars” (Les Menteurs) by Elie Chouraqui, shot in Cape Town, South Africa, “Day of Atonement” (Le Grand Pardon II) by Alexandre Arcady, entirely shot in Miami, looking Christopher Walken, Jill Clayburgh and Jennifer Beals. Because of these last encounters abroad, he made a decision to collaborate on films designed for the international marketplace, and supervised or co-produced “Zentropa” (Europa) directed by Lars von Trier in 1991 (Jury’s Award on the Cannes Film Celebration), with Jean-Marc Barr and Barbara Sukowa. “Laps of Memory space” (Mémoire Traquée) aimed by Patrick Dewolf in 1992, modified from Robert Cormier’s book (I am the Parmesan cheese) filmed in Canada with John Harm. “Innocent Lays” (Péchés Mortels), in 1994, a film influenced by Agatha Christie’s book Toward No, starring Stephen Dorff shot in Belle-île-en-Mer with the Twickenham Film Studio room, near London. “Cousin Bette” (La Cousine Bette), aimed by Des Mac pc Anuff, predicated on the book by Honoré de Balzac, starring Jessica Lange and Elizabeth Shue, released by Fox Searchlight. “The Luzhin Protection” (La Protection Loujine), the display version of Vladimir Nabokov’s book, aimed by Marleen Gorris, with John Turturro and Emily Watson in the business lead roles. “Hijack Tales” aimed by Oliver Schmitz, shot in Soweto, in South Africa, which gained the state “Un Specific Regard” Selection on the 2001 Cannes Film Festival. “Angel of Loss of life” (Semana Santa), predicated on the book by David Hewson, aimed in 2002 by Pepe Danquart, with Mira Sorvino and Olivier Martinez. Then feeling which the Euro co-production treaties were artistically as well restraining, he restructured his production firm in 2003 to create Evidence Motion pictures which centered on the People from france market and created “Nabila’s Notice” (La Lettre de Nabila) a brief feature for Amnesty International, predicated on a novella simply by Marc Levy, France’s most examine living author worldwide. “London mon Amour” (Mes Amis, Mes Amours), an enchanting humor co-written by Marc Levy and himself, which he also co-produced with Dominique Farrugia. The film premiered by Routeé in France and in the U.K during summer season 2008 and enjoyed great achievement. Continuing his appeal on paper, Philippe Guez composed and aimed “Marianne” within some pants against discrimination, that was screened in key film festivals and shown for months on People from france prime-time television. Since 2011, he spent some time working under Peedjee Movies, his new creation and everything encompassing film-consulting organization. With this twofold concentrate, were created: “For A FEMALE” (Pour Une Femme) by Diane Kurys, an interval film starring Benoit Magimel and Mélanie Thierry, released by Europa Corp in France and distributed in america by Film Movement in 2014. “Les Morues”, by French celebrity/article writer/movie director Sylvie Testud predicated on the publication by Audrey Lecoq. Even though film was postponed, it influenced Sylvie Testud to create her latest book “C’est le Métier qui Rentre”, which is currently modified for the silver screen and began shooting initially of 2015. Presently, Philippe Guez is guiding three separate production companies in the introduction of their feature films “Focus”, for Rise Films. “Masaan”, for Macassar Productions, aimed by Neeraj Ghaywan, using a Hindi screenplay. Teaming with 26 Productions, he’s in energetic negotiation for the privileges to a global novel, located in California and Quebec, to become modified in French. Furthermore, Philippe Guez has acquired the legal rights to a pamphlet: “Ecolocash”, by Alice Audouin about the continuing future of green living, developed with MP Productions. Also to two books that he’s presently adapting for the silver screen: From “Ben Hurle”, by French writer Ondine Kayat, a humor currently entitled “Et Puis au Pire on S’Aime” (If Most severe Comes To Most severe, We Have Like), in the challenges young families encounter today in society, via an exploration of fidelity, jealousy and guilt. In the novel “MY ENTIRE LIFE being a Whale “, by American writer Dyan Sheldon, presently entitled “La Sauce était Presque Parfaite” (The Sauce was nearly Great), a hectic humor in regards to a food-loving literary agent surviving in Paris, who’s wrongly recognised incorrectly as a serial killer by the authorities. At fifty years, Philippe Guez has 25 years of experience in his field and spent some time working in a variety of countries such as for example: USA, Canada, United-Kingdom, Southern African, Cameroon, French-West Indies, Spain, Denmark and Czech Republic.

Known for movies



Source
IMDB

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