Fernando de Fuentes Net Worth is
$2 Million

Mini Biography

Delivered in Veracruz; Mexico on Dec 13 1894, boy of Fernando De Fuentes and Emelina Carrau de De Fuentes. He researched Idea at Tulane College or university in New Orleans On his go back to Mexico he proved helpful as executive helper of Venustiano Carranza through the Mexican Trend. After his relationship in 1919, he shifted to Washington D.C., and proved helpful on the Mexican Embassy. Back Mexico, he had written poetry and undertook journalism as a spare time activity, and proved helpful in the Film Sector in exhibition. In 1932 he produced his initial film, “Un Anónimo”, and in the same season “Una Vida por Otra”, in 1933 “Un Prisionero 13”, “La Calandria”, “Un Tigre de Yautepec” and “Un Compadre Mendoza”, regarded one of is own masterpieces, in the Mexican Trend Trilogy, (“Un Compadre Mendoza”, “Vamonos con Pancho Villa” and “Un Prisionero 13”). In 1934 he directed “Un Fantasma del Convento”, and “Cruz Diablo”. In 1935 he produced “Vamonos con Pancho Villa”, and “La Familia Dressel”, in 1936 “Todas las Mujeres Mandan” and one of the biggest hits in the annals from the Mexican movie theater, “Alla en un Rancho Grande” – a film that created a complete brand-new genre the “comedia ranchera”, with this film he was honored the “Medalla al Mérito Cinematográfico” with the Mexican Leader General Lázaro Cárdenas. This film also earned first place on the “Venice Film Celebration” in 1938. It had been the initial International award earned with a Mexican film. Referred to as “the Mexican John Ford” (NY Moments), Fernando de Fuentes was the most talented filmmaker of early Mexican sound cinema. This tragic trilogy established through the Mexican Trend was perhaps his greatest accomplishment. Prisoner 13 (1933, 76 mins.) worries a boy who will pay for his father’s faults and a eager mother who attempts no matter what to save lots of her son’s lifestyle. Un Compadre Mendoza (1933, 85 mins.) examines the corrupted ideals from the Trend by method of an opportunistic landowner, who must select from remaining devoted to an over-all in Zapata’s military (and facing economic spoil) or keeping his own epidermis. Finally, Fuentes’ sweeping epic Let’s Choose Pancho Villa (1936, 92 mins.) comes after the ventures of six teenagers who keep their rural homes to become listed on Pancho Villa’s military, enduring hardship, reduction, and disillusionment within the Trend along the way. Shot by Gabriel Figueroa (The Fugitive), among the world’s most gifted dark and white cinematographers. His filmography addresses almost all the various genres from dilemma, comedy, horror, family members, historical, to classics and documentaries Fernando De Fuentes died on July 4, 1958 in Mexico Town.

Known for movies